The dialogue system is a little basic though, lacking even a way to view previous messages (so you're screwed if you skip over some dialogue). Also it lacks transitions which makes scene switches feel grating (like from class to cafeteria, and back). I guess it's excusable since this is made out of Unity - maybe I'm just too used to the comfort of RenPy based novels.
~Um, anything else... well I hope everybody likes the harry potter stories I posted! Ch 14 has been posted for HPTL hope you like! and I know its been forever arrgg. I had 15 going but then my computer crashed, sooo I have to start all over with that one, chapter 6 to going somewhere is up, and I don't know when I'll get around to finishing the story though I'm sure I will sometime...all my other stories are on hold for the moment. I'm at college now so I'm pretty busy. If I get too far behind just PM and tell me ok! well c ya ~CodeRomance
As I mentioned before, it may seem such a small step but it’s the momentum that’s the most important element here. Once you cross this off, you can focus on the meeting itself, then once that’s ticked off, you are in a position of starting a profitable retirement fund…and so the momentum continues. You are now on your journey to achieving your dream goal.
Stretching is not just about arms and legs. Sample classes that introduce deeper stretches without hurting yourself. The point is not to push harder on the usual spots but to stretch spots you didn’t know you had, such as the muscles between your ribs. Don’t forget to stretch your toes, fingers, and even ears—you’ll be surprised by the ways this can feel good.
The study examined a group of city bus drivers over a period of two weeks. They found that employees who put on a fake smile for the job were in a worse mood by the end of the day. But drivers who genuinely smiled as a result of positive thoughts actually reported being in a better mood by the end of the day. So when you smile, make sure to mean it!
Because love isn't enough. Let me clarify, love, in the way most of us define it, isn't enough. Love isn't what makes you decide to not act out your desires when someone attractive starts showing you attention (and you haven't had sex in months). Love is not what makes you apologize and give your partner a hug after an argument (even though inside you know you're 100% right). Love is not what makes you weather the storm when disaster strikes (which it will). Love is not what makes you decide to treat each other with kindness, respect and empathy during a breakup or divorce (you'd be surprised how quickly love can feel like hate at that time). No, it's not love. It's commitment. It's the responsibility to keeping your commitment. Not just to the other person, but to yourself.
29Even more so than other material aspects of the romance, the preview scene is marked by a double codification and is accordingly interpreted rather differently by the public and the romance reader. In the public’s interpretation, the extreme conventionality of the scene is the dominant feature and the scene is consequently interpreted as yet another code that signifies the novel’s popular romance identity. Because the scene explicitly evokes stereotypes of the genre that are particularly widespread in our culture – the first kiss, the typical tension between conflict and attraction that is widely associated with popular romances, the clichéd and euphemistic language describing sexual attraction, etc. – this interpretation is guaranteed irrespective of the reader’s profile. Indeed, even a reader who is only aware of the most basic cultural stereotypes surrounding popular romance recognizes in this scene the genre’s conventions and will correctly interpret it as a code for the narrative’s popular romance genre identity. In this process the preview scene not only invokes but also reinforces and perpetuates a number of the stereotypes already surrounding the genre, much like the clinch that is its visual equivalent.
10In other words, Genette suggests that the book’s materiality has two main functions : it is a zone in which the book’s producers and consumers negotiate the identity, meaning and interpretation of the text – a process that mainly consists of the producers’ attempts to direct the consumers’ reception of the text – and it serves to locate and reach the text’s primary target audience. These functions are the paratext’s main raison d’être ; indeed, as Genette remarks at the end of his study, functionality is “[t]he most essential of the paratext’s properties” :
30Although the romance reader is obviously aware of the scene’s strong conventionality and, like the public, interprets it as another element inscribing the novel in the popular romance genre, as a member of the romance genre’s interpretative community she also has the ability to develop a different interpretation of this scene. In fact, when the romance reader reads this scene as a romance reader – that is, using the interpretative strategies particular to the genre – she is able to gain crucial new knowledge about the text and its specific, individual poetic properties. This is due to the fact that in the eyes of the experienced category romance reader the preview scene functions as a conceptual prefiguration of the creative interplay between conventionality and variation that is pivotal to the category romance’s poetic functioning. This creative dynamic goes unnoticed by the public (and most of the genre’s critics) because of their one-dimensional assessment of the genre’s strong conventionality as only creating a pervasive sense of repetition and similarity between individual romance texts. However, this interpretation of conventionality fails to recognize how the web of conventions also creates a context in which every minute variation upon the convention stands out.14 This kind of variation – the brief deviation from the norm, the minor adaptation of the convention – represents a fundamental pillar of the category romance’s poetic functioning and of the aesthetic pleasure the romance offers its readers. This particular creative dynamic is prefigured in the strongly conventional preview scene, which illustrates for the romance reader precisely how the author deals with the central creative task of the category format of fusing various sets of conventions with the appropriate amount of creative variation. Since a thorough knowledge of the genre’s (and the line’s) conventions is necessary to develop this interpretation, only generically initiated romance readers pick up on this dynamic and read the preview scene as something other than a pure reconfirmation of the novel’s clichéd generic identity.
Too often, we’re our own worst enemies. While it’s good to be aware of mistakes you’ve made and improvements you can make, beating yourself up on the regular is a surefire way to wind up singing the blues. In fact, experts believe that self-criticism can just make us more miserable. So instead of dwelling on your every failing, focus on how and why you value yourself. This shift will help make you stronger, more productive, less stressed, and, yes, happier.
By contrast, I had always been taught that the pursuit of happiness was my natural (even national) birthright. It is the emotional trademark of my culture to seek happiness. Not just any kind of happiness, either, but profound happiness, even soaring happiness. And what could possibly bring a person more soaring happiness than romantic love? I, for one, had always been taught by my culture that marriage ought to be a greenhouse in which romantic love can abundantly flourish. Insidethe somewhat rickety greenhouse of my first marriage, then, I had planted row after row of grand expectations. I was a veritable Johnny Appleseed of grand expectations, and all I reaped for my trouble was a harvest of bitter fruit.
The aftermath of the Love Glut was like nothing that had ever occurred in American comic book publishing. Unlike the demise of horror and crime titles in the mid-1950s, the near simultaneous disappearance or suspension of more than 100 romance titles in 1950 did not involve censorship or the excessive outcries of outraged parents, teachers and librarians. It was simply a classic example of too much supply and too little demand, not to mention too little space on the racks.
a week to build up to a shared chuckle about traffic, and even that may stir up bad feelings that are curiously strong. But you will continue making neutral contact—neither venting anger nor rushing to please. In forty-five days, you will have built a new shared foundation upon which you both feel happier and better about. You may always need to limit your trust in this person, but you will be able to relax in his presence the way gazelles relax in a world full of lions.
Although Young Romance was released by Prize comics, it should be noted that there was some resistance on the part of the publishers. Kirby tells, Evenier, “Mike [Bleiet] and Teddy [Epstein, the people who ran Prize] didn’t have much faith in Young Romance.” As a result, Simon and Kirby agreed to forgo upfront payment and were paid on the back end only if the book was a success. Of course, Simon was also able to negotiate for 50% of the profits from the book (and its follow up, Young Love). Simon explained to Evanier:
Exercise regularly. Regular exercise has been proven to make people feel happier and even just 30 minutes of exercise a day can have a significant impact on how happy you feel. You may not want to hit up the gym or go for a quick run when you’re feeling down in the dumps, but that’s precisely what will get you up. If exercising alone is too boring for you, then take a group yoga, dance, or barre class or join a team sport.
Discover a world where sentient machines can't be stopped with weapons, only with humanity's best programmers. Join the Human Defense Department's last ditch effort to save the world: by teaching the brightest students in the nation how to hack and scramble the brains of the enemy. Follow the journey of Mina Lovelace as she seeks to prove herself worthy of following in her mother's footsteps, and tries not to embarrass herself in front of her childhood crush in the process! If you enjoy visual novels, problem solving, political intrigue and love stories, you'll love Code Romantic! Currently in Production.
Sometimes a change of location is enough to change your mood. If I wake in the morning and remember all that I didn’t complete the day before, I usually have the wisdom to get out of bed right away. When I lie there, I end up feeling guilty or ashamed or frustrated that I’m not doing or having what I want to do or have. Who would think that feeling stuck could be softened merely by leaving the bed or the desk or the kitchen. Even five or fifteen minutes away from that mentally stifling place can turn discouragement or worry into acceptance, and lead you into a mental or physical detour that can give a more satisfying slant on what felt so heavy minutes before.
The next time you’re feeling down, try harnessing the power of a yellow hue. Research shows happy people tend to associate their mood with the cheerful color, and folks also tend to think of yellow as the color of optimism (possibly because we associate it with the sun). To incorporate the power of yellow into your life, try adding a bit of yellow to your outfit or painting your walls the cheerful hue.